ViX Swimwear Ikat '11 Sliding Triangle Top - Pink - S

• Designer: ViX Swimwear
• Collection: Ikat '11
• Name: Sliding Triangle Top
• Style: 012-332

Rippled triangle top, ties at neck and back.

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Vintage T-Shirts: MORE THAN 500 AUTHENTIC TEES FROM THE '70S AND '80S

• 100% cotton
• Wash warm; line dry
• Imported
• Listed in junior sizes

This charcoal Tor T-shirt from Cheap Monday is bananas! B-A-N-A-N-A-S!This white Carolina tee from Cheap Monday features a large skull screen on the front.

Vintage T-Shirts is a phenomenal celebration of the ever-popular t-shirt, which brings together old favorites from the 1970s and 1980s. With more than 500 uncommon examples, this book documents history by examining this ubiquitous and affordable article of clothing. With full color photographs throughout, Vintage T-Shirts is a must have for t-shirt collectors, fashion buffs, and pop culture junkies alike.

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Adidas Girls 2-6x Adi Performance Tee, Med Purple, 2T

• Sideseam cinching and sparkle trim applied stripes
• Woven adidas brandmark label.

This digital document is an article from The Register-Guard (Eugene, OR), published by Thomson Gale on January 15, 2008. The length of the article is 649 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: New hotels striving for finish line.(Real Estate and Housing)(Comfort Suites will likely be open in time for the U.S. Olympic Track & Field Trials, but delays hamper other sites)
Author: Gale Reference Team
Publication: The Register-Guard (Eugene, OR) (Newspaper)
Date: January 15, 2008
Publisher: Thomson Gale
Page: D25

Distributed by Thomson GaleThis digital document is an article from The Register-Guard (Eugene, OR), published by Thomson Gale on June 21, 2006. The length of the article is 512 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Comfort Suites project nears.(Business)(The hotel at the Glenwood exit from I-5 could be under construction by autumn)
Publication: The Register-Guard (Eugene, OR) (Newspaper)
Date: June 21, 2006
Publisher: Thomson Gale
Page: B1

Distributed by Thomson Gale

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Medela Sleep Bra - White - L

• Drawback design for convenient nursing
• Racerback design keeps straps in place
• For light support and nighttime nursing
• Luxurious combed cotton and no-tag design for comfort
• Keeps nursing pads in place to avoid leaks

This Sleep Bra by Medela is perfect for light support and nighttime nursing. Luxurious combed cotton and no-tag design ensure comfort against your skin. Keeps nursing pads in place to avoid leaks. Drawback design for convenient nursing.

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Pioneer Collage Frame Embossed "Wedding" Sewn Leatherette Cover Photo Album, Ivory

• Sewn leatherette collage frame cover
• Embossed "Baby" text
• Holds 240 4-inch by 6-inch photos
• Unique 5 pocket pages
• Archival, photo safe: acid, lignin and PVC free

Armed with a digital camera, wedding attendees can create snapshots of the their friend's big day with the camera, lighting, posing, and composition skills taught  in this step-by-step manual. Beginning with a discussion of digital capture basics and how to ensure the best possible exposure by selecting the appropriate ISO settings, photographers learn how to create the setting that produces the best results under any lighting conditions. Posing is also covered so that, armed with some general principles and strategies, amateur photographers can greatly improve their sense of portraiture.  Sections on unusual situations teach readers how to make the best of mixed lighting conditions, flatter ! subjects, avoid exposure problems, and use the flash indoors; while tips on using Adobe Photoshop Elements help photographers give their photographs that professional edge.

Fully revised and updated! Full-color guide to capturing great wedding images and building a successful photography business

This full-color book from acclaimed professional wedding photographer Glen Johnson not only teaches you how to take memorable photos, it also shows you how to start a wedding photography business. Packed with great tips and savvy advice, this new edition helps you set up efficient workflows, choose camera equipment, manipulate images, make impressive presentations, and launch smart, photo-based marketing strategies to build your business. Best of all, it's loaded with new, superb photos that illustrate photography techniques.

• Shows you how to set up and capture beautiful photos, posed or candid, in all kinds of settings, for weddings and other special event! s
• Offers practical marketing strategies for building your o! wn photo graphy business, including how to build a fantastic Web site that attracts clients
• Covers current camera equipment and accessories, post-shoot digital darkroom techniques, digital editing software, and how to print your images successfully
• Gives you invaluable insights and tips from the author, who is one of the country's top wedding and special events photographers

Capture better pictures of some of life's most memorable eventsâ€"and build a sucessful photography businessâ€"with this indispensable guide!

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From the Author: 5 Tips for Wedding Photography

1) Get to know how your camera reacts to different types of scenes so you can respond quickly during a wedding. This is especially important for extreme light situations, like when the scene is filled with something white or black, or when there is a small shaft of light where you want the proper exposure.! Knowing how to react to these situations in advance will allow you to catch moments that pass by quickly.

2) Spend the extra time and energy it takes to really learn how to use Lightroom well. Far too many new photographers expend time learning Photoshop first when Lightroom is a much more valuable tool for the wedding photographer.

3) Spend time and money on networking with other wedding vendors and especially with other photographers. Every friend you make in the business will funnel clients your way.

4) Invest time in learning how to make your own website and how to incorporate basic Search Engine Optimization. The returns you get from this work will reap huge benefits over the years because it opens the door to worldwide advertising which is far cheaper and easier than any other form of advertising you will ever find.

5) When you first start out, try to find an established photographer that will let you work wi! th them for free. If you can't do that, offer to shoot at leas! t 10-15 weddings for free before you start charging money. That experience, along with reading books, will give you the basic building blocks to get started shooting small weddings for clients with the lowest budget. From there, you can start climbing slowly up the ladder towards better and higher paying jobs.

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From the Author: Example Photos

Details: f9, 1.3 seconds, ISO 1250, 16mm (Click on image to zoom)

Details: f4.5, 1/180 second, ISO 1600, 21mm ! (Click on image for larger version)

Details: f2.8, 1/30 second, ISO 4000, 16mm (Click on image to zoom)

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A full-color reference-and-DVD package covers shooting and editing a successful multimedia project

With the introduction of dSLRs with high definition video functionality, a new world of multimedia capture has been opened to digital photographers. This book shows you how to embrace the exciting new option of photo fusion, by incorporating digital video content with your photography.

The author duo guides you through creating seamless multimedia presentations that maximize both still-frame and video photography functions on your dSLR. From the setting up and shooting, to downloading, editing and presenting a m! ultimedia project, this book clearly explains how to move beyo! nd still s into the exciting world of multimedia creation.

• Encourages you to embrace the exciting possibilities of photo fusion in the field of wedding photography
• Explains how to incorporate digital video content with photography
• Walks you through all of the necessary steps for shooting and editing a memorable multimedia creation
• Details every aspect involved in setting up, shooting, downloading, editing, and presenting a multimedia project
• Features more than 200 color images and an indispensible DVD of inspiring examples

Packed with more than 200 stunning images and featuring a 45-minute DVD, Photo Fusion presents you with inspiration and instruction so you can create your own multimedia projects.

Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.A full-color reference-and-DVD package covers shooting and editing a successful multimedia project

With the introduction of dSLRs with high definit! ion video functionality, a new world of multimedia capture has been opened to digital photographers. This book shows you how to embrace the exciting new option of photo fusion, by incorporating digital video content with your photography.

The author duo guides you through creating seamless multimedia presentations that maximize both still-frame and video photography functions on your dSLR. From the setting up and shooting, to downloading, editing and presenting a multimedia project, this book clearly explains how to move beyond stills into the exciting world of multimedia creation.

• Encourages you to embrace the exciting possibilities of photo fusion in the field of wedding photography
• Explains how to incorporate digital video content with photography
• Walks you through all of the necessary steps for shooting and editing a memorable multimedia creation
• Details every aspect involved in setting up, shooting, downloading, e! diting, and presenting a multimedia project
• Features ! more tha n 200 color images and an indispensible DVD of inspiring examples

Packed with more than 200 stunning images and featuring a 45-minute DVD, Photo Fusion presents you with inspiration and instruction so you can create your own multimedia projects.

Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

Top Ten Photo-Fusion Tips
Amazon-exclusive content from author Jennifer Bebb

1. You Are a Still Photographer, Not a Videographer
If the moment warrants a still image, make a still image. Your primary focus is making still images and your video coverage is designed to augment! your stills.

2. Shoot More Video than You Need
A still image is all about a single moment. Video, on the other hand must be edited to showcase the perfect moment. Leave lead time before and after the clip you want to use, and record more video than you think you will need. You can always leave the extra clips on the cutting room floor.

3. Be a Ruthless Editor
Remember that you are a photographer first - the audio and video you are recording is designed to flesh out the story told by your stills, not overwhelm it. If the video doesn’t look great, don’t use it.

4. Practice, Practice, Practice
Take the time to get to know all the gear you are going to use while making Fusion. Test out everything, ahead of time, on friends, neighbors or your pet. Practice using a tripod, monopod, and other stabilizers. A wedding day is not the time to learn your gear.

5. Remember the Gift of Speech
Your ! clients are giving and receiving the gift of words they may ne! ver hear again. Record them with respect and care, and use those words in your final edit. This is a gift that grows in value over time.

5. Record More Audio than You Need
Your portable audio recorder will run up to 8 hours, so use that to record audio separate from your video clips. It is the audio that ties Fusion together, so record lots and edit out what you don’t need.

6. Be Prepared for Anything
Make a plan for the day, but be ready to change on a moment’s notice. That’s the nature of a wedding day - it’s unpredictable. Plan for everything you can, and stay cool when things go wrong.

7. Shoot Your Video with the Eye of a Photographer
If you are using a HDSLR, you know how to make great still images with it. Making video is similar - use your knowledge of light and composition to make your video and stills blend together cohesively. Take advantage of your ability to see the world in you own unique way. 8. Stabilize Your Footage
You might be able to make great still images at a slow shutter speed while hand holding your camera. Video is different - because you are recording more than a split second, it is challenging to hold steady. Wherever you can, stabilize your footage, especially during the ceremony and the speeches.

9. The Details Matter
As you do more and more Fusion, remember the details and nuances of a wedding day, will benefit from video as well. Make your still images first, then record some video of the details. Your attention to detail is important to your client.

10. Shoot for the Edit
The more you get right in camera, the less work you will have after the fact. This is particularly true with video footage. Shoot with your edit in mind - if you know you want a transition clip of the bride’s dress going on, shoot it in both stills and video. Having a sense of what you want your final piece to l! ook like will help you choose when to record video and when to! make st ills.

Photos from Author Jennifer Bebb (Click to enlarge)

This is image was made while the bride was having her dress done up. She had moved towards the window in an effort to cool down (it was a hot day) in the breeze. The wind caught the sheer curtains and blew one between the camera and the bride, and this is the result. Specs: Camera: 5D ISO: 160 Aperture: 2.8 Shutter: 1/60 Exp. Comp: +0.7

This image was made in and Art Gallery in New York City. The gallery was between exhibits so we had the opportunity to ! work in spaces that are normally closed to photographers. This was a large, bare room, but we loved the warmth of the ambient and the patterns on the floor and walls. We used a chair that was in the space and had her sit on the floor. We wanted the bride to be the focus of the image, so we needed to add some light to her face. We used a small video light to ensure that she was well lit, and kept our shutter speed low to ensure the warmth of the ambient light was present in the scene. Specs: Camera: 5D ISO: 1250 Aperture: 4.0 Shutter: 1/30 Exp. Comp: 0.0

This image was made in bright sun on a beach in Mexico. We decided to take advantage of the sunlight and use it to our advantage. We simply had them embrace at the water’s edge, turning her eyes to our lens while asking him to hold ! her tight. With the aperture set at 2.8 and the compression o! f the 13 5mm lens, we knew that the background would be completely out of focus while she would be the obvious focus of the image. Specs: Camera: 5D MKII Lens: 135mm ISO: 100 Aperture: 2.8 Shutter: 1/4000 Exp. Comp: -0.3

This photo album holds 240 4-inch by 6-inch photos in optically clear plastic pockets. It features a collage frame front with embossed "Wedding" text. The album is bookstyle bound in an ivory sewn leatherette cover. The unique five pocket page layout design allows for both horizontal and vertical prints to be displayed on the same page.

Wacoal Women's Bodysuede Ultra Full Figured Seamless Underwire with Lace Trim, Naturally Nude, 36DDD

• 89% tactel nylon, 11% spandex
• Functional fit with fashioned details
• A bra designed for all day, everyday
• Hand wash warm, hang dry
• Made in the Dominican Republic

Seamless underwire bra. Silky, stretch microfiber. Full cups provide comfortable support. Slings inside cups offer additional support. Embroidered accents. Non-stretch center provides additional support. Back straps are stretch adjustable. 3 column, 2 row hook and eye back closure. Designed to fit and flatter fuller figures. Wacoal Style 85814

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Olga Women's Disappearing Act Wire Free T-Shirt Bra,Butterscotch,38C

• Matte Micro, Nylon, Spandex
• Full coverage cup with invisible edge
• Innovative strap features a tailored aesthetic and flat hardware
• Machine wash cold hang dry
• Imported

Full coverage no wire cups prevent spillover. Seamless stretch nylon. Invisible edge neckline for ultimate smoothing. Foam lining prevents show-through. Boning provides shape and support. T-shirt bra - virtually disappears under thin fabrics. Tagless for comfort. Comfort front straps are back adjustable. 3 column, 3 row hook and eye back closure. Olga Style 30583

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ANDIE MACDOWELL 20X24 COLOR PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 20X24 inches

Based on the novel by one of the world's best-selling authors, the Lifetime Original Movie PATRICIA CORNWELL S THE FRONT is the fast-paced sequel to Patricia Cornwell s At Risk and it reunites Monique Lamont (Andie MacDowell, Sex, Lies and Videotape) and Win Garano (Daniel Sunjata, Rescue Me) to investigate Boston s most famous criminal. Attempting to generate much needed publicity for her flagging political aspirations, Monique orders Win to re-open the investigation of the brutal, decades-old murder of a young blind woman named Janie Brolin. Janie s boyfriend was the main suspect in the original investigation, but Monique has another suspect in mind the Boston Strangler. Win must work closely with a no-nonsense and combative female detective named Stump (Ashley Williams, Good Morning, Miami) to unp! eel layer upon layer of the 40-year-old crime. Win and Stump s relationship evolves as they uncover the truth about Janie s death and track down a psychopath who is leaving their witnesses and colleagues dead in his wake.This funny and touching story centers on Kate a forty-year-old respectable and successful headmistress in a small English village who gets together with her single friends Molly a doctor and Janie a local police detective every Monday to drink eat chocolate and decide who is the Saddest of the Week. Things start to turn displeasing between the three friends when Kate begins an affair with Jed a sexy 25-year old ex-pupil and is no longer the Saddest of the Week!System Requirements: Running Time 122 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396079021 Manufacturer No: 07902At first Crush seems to be merely the latest film to portray a clique of boozy, trash-talking women as part of a larger, liberated sisterhood worthy of celebr! ation if not admiration. The lighthearted comedy abruptly deto! urs, how ever, to expose vicious jealousies with brutal, unexpected consequences. A trio of single women in their 40s, Kate, Janine, and Molly (Andie MacDowell, Imelda Stanton, and Anna Chancellor) engage in a weekly ritual of gin, cigarettes, and joyous male sniping that despite its occasional glimpses of bare insecurity is all good "girl" fun. But when Kate, headmistress at the local school, takes up with a former student (Kenny Doughty) nearly 20 years younger and falls wildly in love, her closest friends, rather than embrace a true departure from social mores, plan instead to sabotage Kate's happiness and bring her to her senses. In one of the most inexplicable twists you're likely to see in a comedy, Janine and Molly's ploy takes an unexpectedly lethal turn, and Crush goes from amusing, if predictable, to downright nasty, and then back to end on a happy note. The effect is provocative, though perhaps unintended. --Fionn Meade The director Michael Lindsay-Hogg has a! name that sounds British despite the fact that he is a New Yorker by birth. Maybe that association derives from the fact that he's primarily helmed television films--segments of Brideshead Revisited, for example, as well as a pile of music videos for English bands like the Who and the Rolling Stones. One of his few ventures into feature filmmaking (another was the little-seen Frankie Starlight) is the 1990 film The Object of Beauty, which also looks, sounds, and feels British in sensibility. The film is set in a tony London hotel, the weather is England-dreary, and the clothes (when the actors are wearing them) are tweedish and woolly in appearance. And the story is essentially repressed and internal save for the brash American performances of John Malkovich and Andie MacDowell, who play a couple living way above their limited financial means. When Jake (Malkovich) bottoms out in a business deal, he urges Tina (MacDowell) to sell her little Henry Moore! sculpture, an object of great beauty. Such beauty, in fact, t! hat a yo ung mute hotel maid decides to steal it for her own. The actress Rudi Davies, who plays the maid, steals more than the Moore, however. She sneaks the film out from under Malkovich and MacDowell, who was just coming off of her sex, lies, and videotape acclaim, and who is quite good here as well. The Object of Beauty is too subtle in its message--Jake and Tina lose their last monetary chance and in penury begin to discover who they are as people--to let us care about such a pouty pair, and the "hilarious mix-ups and mayhem" that the film promises are, in actuality, tame and trite. --Paula Nechak OBJECT BEAUTY - DVD MovieThe director Michael Lindsay-Hogg has a name that sounds British despite the fact that he is a New Yorker by birth. Maybe that association derives from the fact that he's primarily helmed television films--segments of Brideshead Revisited, for example, as well as a pile of music videos for English bands like the Who and the Rolling S! tones. One of his few ventures into feature filmmaking (another was the little-seen Frankie Starlight) is the 1990 film The Object of Beauty, which also looks, sounds, and feels British in sensibility. The film is set in a tony London hotel, the weather is England-dreary, and the clothes (when the actors are wearing them) are tweedish and woolly in appearance. And the story is essentially repressed and internal save for the brash American performances of John Malkovich and Andie MacDowell, who play a couple living way above their limited financial means. When Jake (Malkovich) bottoms out in a business deal, he urges Tina (MacDowell) to sell her little Henry Moore sculpture, an object of great beauty. Such beauty, in fact, that a young mute hotel maid decides to steal it for her own. The actress Rudi Davies, who plays the maid, steals more than the Moore, however. She sneaks the film out from under Malkovich and MacDowell, who was just coming off of her sex,! lies, and videotape acclaim, and who is quite good here a! s well. The Object of Beauty is too subtle in its message--Jake and Tina lose their last monetary chance and in penury begin to discover who they are as people--to let us care about such a pouty pair, and the "hilarious mix-ups and mayhem" that the film promises are, in actuality, tame and trite. --Paula Nechak Describes the career of Andie MacDowell and how she achieved success as a fashion model. Includes her goals and personal beauty tips.What begins as an average day for ethan takes a dangerous turn when hes kidnapped & held hostage in his apartment. The home invaders arent looking to rob him: instead they are looking to avenge the death of a right-wing cult leader. But the more they interrogate him the more they doubt hes the killer. Studio: Millenium Media Services Release Date: 10/12/2010 Starring: Andie Macdowell Frank Whaley Run time: 91 minutes Rating: RAt Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport! and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

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