Medium Movie Poster (11 x 17 Inches - 28cm x 44cm) (2005) Style A -(Patricia Arquette)(Miguel Sandoval)(Sofia Vassilieva)(Maria Lark)(Jake Weber)(David Cubitt)

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A young San Francisco widow is swept into a political uprising in Burma after her sister reluctantly drags her on a Southeast Asia tour.Working at the top of his form, John Boorman is a director who can pursue the poetry of his personal obsessions within the framework of a dynamic thriller and not shortchange the film. Beyond Rangoon involves a journey into unfamiliar territory: the rivers, jungles, and war-torn backcountry of Burma in 1988; But it also ventu! res into the mythic Arthurian terrain of such seemingly disparate films as Excalibur, Point Blank, and Deliverance. This time, uniquely in this director's work, the quester is a woman. American doctor Laura Bowman (Patricia Arquette) regards her life as having ended after the brutal murder of her husband and their little boy by home invaders. Her sister (Frances McDormand) has persuaded her to come along on a sightseeing tour of Burma. The trip leaves Laura numb until, impulsively venturing into the night alone, she becomes witness to a crisis moment in history: the beginning of the military dictatorship's violent crackdown on the rising democracy movement. The sight of Aung San Suu Kyi, the dissidents' inspirational leader, facing down a wall of armed soldiers with only the power of serene self-possession inspires Laura (an amazing scene--and it really did happen).

But that's only the beginning of Laura’s movement toward enlightenment, and back t! o life. Beyond Rangoon abounds in memorable encounters-! -with in dividuals variously supportive and terrifying, and with locations and situations where hope and catastrophe trade off like valences of the same energy. As critic Kathleen Murphy has noted, "It's as though the fabric of reality shivers like water, racking focus into a new, altered pattern of experience." (Case in point: the startling image of a car's rear window star-shattered by a pursuer's bullet as Laura drives down an almost nonexistent jungle road--the pursuit car sharply irised in the bullet hole.) Boorman makes us feel the total chaos of a spectacularly beautiful land that is not only at the mercy of a brutal regime but utterly cut off from an outside world that doesn't, can't, know what's happening there. In this, Boorman's movie immeasurably increased awareness of Burma's tragedy, but it hasn't prevented the government of what's now called Myanmar from keeping Aung San Suu Kyi under house arrest more than 20 years later. --Richard T. JamesonOverlooked and unde! rrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon! "Overlooked and underrated, Goodbye Lover is a tawdry, ! tasty fi lm noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joffé (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon A young San Francisco widow is! swept into a political uprising in Burma after her sister reluctantly drags her on a Southeast Asia tour.Working at the top of his form, John Boorman is a director who can pursue the poetry of his personal obsessions within the framework of a dynamic thriller and not shortchange the film. Beyond Rangoon involves a journey into unfamiliar territory: the rivers, jungles, and war-torn backcountry of Burma in 1988; But it also ventures into the mythic Arthurian terrain of such seemingly disparate films as Excalibur, Point Blank, and Deliverance. This time, uniquely in this director's work, the quester is a woman. American doctor Laura Bowman (Patricia Arquette) regards her life as having ended after the brutal murder of her husband and their little boy by home invaders. Her sister (Frances McDormand) has persuaded her to come along on a sightseeing tour of Burma. The trip leaves Laura numb until, impulsively venturing into the night alone, she becom! es witness to a crisis moment in history: the beginning of the! militar y dictatorship's violent crackdown on the rising democracy movement. The sight of Aung San Suu Kyi, the dissidents' inspirational leader, facing down a wall of armed soldiers with only the power of serene self-possession inspires Laura (an amazing scene--and it really did happen).

But that's only the beginning of Laura’s movement toward enlightenment, and back to life. Beyond Rangoon abounds in memorable encounters--with individuals variously supportive and terrifying, and with locations and situations where hope and catastrophe trade off like valences of the same energy. As critic Kathleen Murphy has noted, "It's as though the fabric of reality shivers like water, racking focus into a new, altered pattern of experience." (Case in point: the startling image of a car's rear window star-shattered by a pursuer's bullet as Laura drives down an almost nonexistent jungle road--the pursuit car sharply irised in the bullet hole.) Boorman makes us feel the total chaos of! a spectacularly beautiful land that is not only at the mercy of a brutal regime but utterly cut off from an outside world that doesn't, can't, know what's happening there. In this, Boorman's movie immeasurably increased awareness of Burma's tragedy, but it hasn't prevented the government of what's now called Myanmar from keeping Aung San Suu Kyi under house arrest more than 20 years later. --Richard T. JamesonStudio: Paramount Home Video Release Date: 06/21/2011 Run time: 563 minutesFrom the creators of Being John Malkovich and starring Tim Robbins and Patricia Arquette comes a deliciously twisted film with biting dialogue wild twists and plenty of comic turns.Running Time: 96 min.Format: DVD MOVIE Genre: COMEDY UPC: 794043572623This fascinating comedy questions what we mean when we use words like "nature" and "civilization." Lila (Patricia Arquette, Lost Highway, True Romance), a nature writer who grows hair all over her body, falls in love with N! athan (Tim Robbins, The Player, The Hudsucker Proxy), a scientist attempting to teach table manners to mice. While hiking in the woods, they discover Puff (Rhys Ifans, Notting Hill), a man raised in the wild since childhood, whom Nathan seizes as a test subject for his experiments--and soon these three, along with Nathan's French lab assistant (Miranda Otto) are embroiled in criss-crossed love affairs as they (and the audience) attempt to figure out what it means to be true to one's own nature. Though Human Nature isn't as surefooted as Being John Malkovich (which was also written by distinctive screenwriter Charlie Kaufman), it has moments of startling comic genius. --Bret FetzerA lost soul has just received the wounds of Christ and a shocking message that will alter history. Stunning performances from Patricia Arquette (True Romance), Gabriel Byrne (The Usual Suspects) and Jonathan Pryce (Ronin) and a cutting edge score by Billy Corgan of The SmashingPumpkins and Elia Cmiral make Stigmata a visual a! nd visceral feast (Entertainment Today). Frankie Paige (Arquette) has absolutely no faith in God. All of that changes when she suddenly begins to suffer the Stigmatathe living wounds of the crucified Christ. Frankie's miraculous bleeding comes to the attention of the Vatican's top investigator, Father Kiernan (Byrne). But when Cardinal Houseman (Pryce), discovers that Frankie is actually channeling an extraordinary and provocative message that could destroy the Church, he's convinced that she - and the force possessing hermust be forever silenced. Determined to stop this deadly conspiracy, Kiernan risks his faithandhis lifeto save her and the message that will change the destiny of mankind forever!Gabriel Byrne plays Father Kiernan, a young Jesuit priest whose degree in chemistry makes him a sort of priest/detective as he investigates weeping Marys and the like around the world. Meanwhile, Frankie (Patricia Arquette), a rave-generation Pittsburgher, is afflicted with th! e stigmata--holes that appear in her wrists, resembling the wo! unds of Christ. The young woman's symptoms filter back to the Vatican and Father Kiernan is assigned to the case. The priest is puzzled by Frankie's atheism; usually the stigmata only appear on the devout (hence the age-old controversy of miracles vs. hysteria). Other manifestations appear on Frankie, and the priest's cardinal (Jonathan Pryce) is brought in, leading to political maneuvering within the Church hierarchy. The film owes a large and obvious debt to The Exorcist (at one point, Frankie's bed scoots across the room and she levitates into a crucifix position), but to term it an Exorcist rip-off would be to shortchange Stigmata. The premise and screenplay are more cerebral than in the l973 film, and the source of the phenomenon is coming from a completely different place.

Unfortunately, amid Stigmata's high-octane editing and slick technique, the chills of The Exorcist aren't there, giving the movie a sort of identity crisis: horror! movie or intellectual thriller? Several elements of the film challenge basic tenets of the Catholic faith, hence the brief furor that erupted at the time of the film's release; if nothing else, the internal workings of the Church are shown in a very unflattering light indeed. Byrne excels as the skeptical priest, as does Arquette as the tortured young woman. All told, Stigmata is a rather uneven effort, but one with a thought-provoking combination of theology and thrills served up in a thoroughly modern, stylish package. Fans of TV's Ally McBeal will recognize Portia DeRossi in a supporting role. --Jerry RenshawMedium Poster (11 x 17 Inches - 28cm x 44cm) (2005) Style A reproduction poster print

CAST: Patricia Arquette,Miguel Sandoval,Sofia Vassilieva,Maria Lark,Jake Weber,David Cubitt,Miranda Carabello,Tina DiJoseph,Madison Carabello;

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