- ISBN13: 9780801038747
- Condition: New
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It's been said that there are no new ideas; but there are proven ideas that have worked again and again for all writers for hundreds of years.
Story Structure Architect is your comprehensive reference to the classic recurring story structures used by every great author throughout the ages. You'll find master models for characters, plots, and complication motifs, along with guidelines for combining them to create unique short stories, novels, scripts, or plays. You'll also learn how to:
- Build compelling stories that don't get bogged down in the middle
- Select character journeys and create conflicts
- Dev! ise subplots and plan dramatic situations
- Develop the supporting characters you need to make your story work
This browsable and interactive book offers everything you need to craft a complete, original, and satisfying story sure to keep readers hooked!A hilarious, irreverent book about doing your own thing
Meet Iggy Peckâ"creative, independent, and not afraid to express himself! In the spirit of David Shannonâs No, David and Rosemary Wellsâs Noisy Nora, Iggy Peck will delight readers looking for irreverent, insp! ired fun.
Iggy has one passion: building. His parents ! are prou d of his fabulous creations, though theyâre sometimes surprised by his materialsâ"who could forget the tower he built of dirty diapers? When his second-grade teacher declares her dislike of architecture, Iggy faces a challenge. He loves building too much to give it up! With Andrea Beatyâs irresistible rhyming text and David Robertsâs puckish illustrations, this book will charm creative kids everywhere, and amuse their sometimes bewildered parents.
Was the financial collapse caused by free-market capitalism and deregulation run amok, as liberals claim?
Not on your life, says Peter Schweizer. What we are really witnessing is a massive failure of social engineering by liberals.
Architects of Ruin, bestselling author Peter Schweizer describes in riveting detail how a coalition of left-wing activists, liberal politicians, and "do-good capitalists" on Wall Street leveraged government power to achieve their goal of broad! ening homeownership among minorities and the poor. The results were not only devastating to the economy, but hurt the very people they were supposedly trying to help.
The story begins in the 1960s with Saul Alinsky, the legendary Chicago rabble-rouser who trained his acolytes in highly aggressive techniques of community activism. Alinsky's disciplesâ"along with race-baiting activists like Jesse Jacksonâ"seized on the "redlining" controversy of those years to argue that banks were guilty of racial discrimination. In the 1970s, with the help of liberal senators like Ted Kennedy and William Proxmire, legislation was passed that put bankers under the thumb of local activists.
In the Clinton years, a new generation of liberal technocrats came to power in Washington and on Wall Street. Schweizer describes how a powerful phalanx of elite liberals, including Bill Clinton, Robert Rubin, Andrew Cuomo, Barney Frank, Chris Dodd, Janet Reno, Deval Patrick, Henry Cisn! eros, Barack Obama, Nancy Pelosi, Ted Kennedy, Charles Schumer! , and ma ny others, aggressively pushed banks to make trillions of dollars in loans to individuals who should never have received them.
Meanwhile, Clinton forged a new form of state capitalism in which the big Wall Street financial companies were repeatedly bailed outâ"with their profits intactâ"from a series of costly errors, leading them to take ever larger risks. Both financial policies had profoundly distorting effects. The result was the bursting of twin bubbles in mortgages and mortgage-backed derivatives, in turn leading to a global economic collapse.
This tale of liberal "Robin Hood capitalism run wild" has never been told. But more than just a story about the past, it is also an urgent warning about the future. For today, the very same people who planted the seeds of the collapse are back in Washington, tasked with cleaning up the mess and determined to use the crisis they caused as cover for a massive overhaul of the American economic system.
Th! ese people have learned nothing from their past mistakes and are busy applying the same methods to other sectors of the economyâ"health care, the auto industry, real estate (again!), and above all the promotion of "green" technologiesâ"inflating bubbles that are sure to bring about another crisis. Ordinary Americans who foot the bill for the last state-capitalist bubble have reason to be afraidâ"very afraidâ"of the inevitable result.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana s plantations in 1926. From those images, now housed in the Louisiana State Museum, and never before widely available, 110 plates showcasing fifty-two homes are reproduced here.Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among! others. Providing the family lineage and construction history! of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views.
A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos: a frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura compounded by the fact that many of the homes no longer exist. This noticeable ambivalence between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery.
Louisiana in the mid-1920s moved from an economy beyond slave-based agriculture, toward mechanization, and on the brink of social and political reforms. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a new national awareness of historic preservation and presenting plantations to us anew.
Plantations pictured include: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, P! arlange, Rene Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.There are many books available on the topic of worship today, but few provide a comprehensive, practical method for worship design. Constance M. Cherry, a worship professor and practitioner, provides worship leaders with credible blueprint plans for successfully designing worship services that foster meaningful conversation with God and the gathered community. Readers will learn how to create services that are faithful to Scripture, historically conscious, relevant to God, Christ-centered, and engaging for worshipers of all ages in the twenty-first century. The book sets forth basic principles concerning worship design and demonstrates how these principles are conducive to virtually any style of worship practiced today in a myriad of Christian communities. It will also work well as a guide for worship-planning teams in local churches and provide insight for worship students, ! pastors, and church leaders involved in congregational worship! .
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