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THE ILL-FATED ROMANCE BETWEEN AN IMPERIAL BODYGUARD & A PRINCETAKES THE LOVERS ON A DANGEROUS JOURNEY WHERE ROYAL FAMILYSECRETS ARE REVEALED.
Curse of the Golden Flower, a fictionalized historical glimpse into the brutally complicated politics of Emperor Ping's (Chow Yun Fat) reign during the Tang Dynasty, shows the viewer just how far a megalomaniac must go to gain and retain power in medieval China. Lavish sets, massive ceremonial displays, and perversely fascinating battle scenes impress similarly to the special effects Americans have come to love and expect from Chinese action films like Zhang Yimou's previous
House of Flying Daggers and
Crouching Tiger, Hidden Dragon. An intricate plot involving the Emperor's wife, Empress Phoenix (Gong Li) and their three sons, Crown Prin! ce Xiang, Prince Jie, and Prince Cheng, most closely follows the Empress's secret plan to force abdication upon her corrupt husband as revenge for his slowly poisoning her with Black Fungus tea. Opening on the eve of the Chysanthemum Festival, 928 A.D., the Empress obsessively embroiders gold chysanthemums to adorn her army's uniforms while hatching plans with Jai to overthrow the Crown Prince for control of the throne. Meanwhile, a side plot develops as the Emperor's ex-wife and mother to Crown Prince Yu reemerges as Yu's lover. By the time the Festival occurs, family members are pitted against each other in a
King Lear-ian web of lies that can only result in demise. The most sophisticated narrative aspect of
Curse of the Golden Flower is that as the royal family crumbles, the Emperor's death grip on China remains unwavering. Gorgeous scenes set in the palace and costume design displaying China's upper class decadence cannot fail to entertain. The paradox bet! ween good and evil, here, is highlighted by how the Emperor su! ccessful ly rules despite, and because of, his utter cruelty.
--Trinie DaltonFrom the director of
Hero and
House of Flying Daggers comes the martial arts epic masterpiece whose savage beauty and exquisite elegance has mesmerized and captivated audiences around the world. Set in the lavish and breathtakingly colorful world hidden from the eyes of mere mortals behind the walls of the Forbidden City, a tale of a royal family divided against itself builds to a mythic climax as lines are crossed, trust is betrayed, and family blood is spilled in the quest for redemption and revenge. Starring Chow Yun Fat of
Crouching Tiger, Hidden Dragon as the embattled Emperor and Gong Li of
Memoirs of a Geisha as his poisoned Empress,
Curse of the Golden Flower grants you entry into a dazzling and spectacular world of betrayal, vengeance and passion that will change the way you think of martial arts forever.
Curse of the Golden Flower, a fictionalized his! torical glimpse into the brutally complicated politics of Emperor Ping's (Chow Yun Fat) reign during the Tang Dynasty, shows the viewer just how far a megalomaniac must go to gain and retain power in medieval China. Lavish sets, massive ceremonial displays, and perversely fascinating battle scenes impress similarly to the special effects Americans have come to love and expect from Chinese action films like Zhang Yimou's previous
House of Flying Daggers and Crouching Tiger, Hidden Dragon. An intricate plot involving the Emperor's wife, Empress Phoenix (Gong Li) and their three sons, Crown Prince Xiang, Prince Jie, and Prince Cheng, most closely follows the Empress's secret plan to force abdication upon her corrupt husband as revenge for his slowly poisoning her with Black Fungus tea. Opening on the eve of the Chysanthemum Festival, 928 A.D., the Empress obsessively embroiders gold chysanthemums to adorn her army's uniforms while hatching plans with Jai to overthrow th! e Crown Prince for control of the throne. Meanwhile, a side pl! ot devel ops as the Emperor's ex-wife and mother to Crown Prince Yu reemerges as Yu's lover. By the time the Festival occurs, family members are pitted against each other in a
King Lear-ian web of lies that can only result in demise. The most sophisticated narrative aspect of
Curse of the Golden Flower is that as the royal family crumbles, the Emperor's death grip on China remains unwavering. Gorgeous scenes set in the palace and costume design displaying China's upper class decadence cannot fail to entertain. The paradox between good and evil, here, is highlighted by how the Emperor successfully rules despite, and because of, his utter cruelty. --
Trinie DaltonCrouching Tiger, Hidden Dragon Named "Best Picture of the Year" by over 100 critics nationwide! Two master warriors (Chow Yun Fat and Michelle Yeoh) are faced with their greatest challenge when the treasured Green Destiny sword is stolen. A young aristocrat (Zhang Ziyi) prepares for an arr! anged marriage, but soon reveals her superior fighting talents and her deeply romantic past. As each warrior battles for justice, they come face to face with their worst enemy - and the inescapable, enduring power of love. Set against 19th-century China's breathtaking landscape,
Crouching Tiger, Hidden Dragon is the action-packed, box office smash from acclaimed director Ang Lee (
Sense and Sensibility,
The Ice Storm) featuring stunning martial arts choreography by Yuen Wo Ping (
The Matrix).
Curse of the Golden Flower From the director of
Hero and
House of Flying Daggers comes the martial arts epic masterpiece whose savage beauty and exquisite elegance has mesmerized and captivated audiences around the world. Set in the lavish and breathtakingly colorful world hidden from the eyes of mere mortals behind the walls of the Forbidden City, a tale of a royal family divided against itself builds to a mythic clima! x as lines are crossed, trust is betrayed, and family blood is! spilled in the quest for redemption and revenge. Starring Chow Yun Fat of
Crouching Tiger, Hidden Dragon as the embattled Emperor and Gong Li of
Memoirs of a Geisha as his poisoned Empress,
Curse of the Golden Flower grants you entry into a dazzling and spectacular world of betrayal, vengeance and passion that will change the way you think of martial arts forever.
House of Flying Daggers "Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous revolutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warriors in the t! reetops and dazzling combat - the likes of which have never before been seen!great film .A pair of police deputies at the end of China's Tang Dynasty attempt to save a beautiful dancer, with revolutionary ties, from capture.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 1-JAN-2007
Media Type: DVDNo one uses color like Chinese director Zhang Yimou--movies like
Raise the Red Lantern or
Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green.
House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapo! n of choice, a curved blade that swoops through the air like a! boomera ng). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang,
Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film,
Hero, sometimes sacrificed momentum for sheer visual beauty;
House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay.
--Bret Fetzer"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous re! volutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warriors in the treetops and dazzling combat - the likes of which have never before been seen!No one uses color like Chinese director Zhang Yimou--movies like
Raise the Red Lantern or
Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green.
House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, ! a curved blade that swoops through the air like a boomerang). ! Their on ly chance to find the rebels is a blind women named Mei (Ziyi Zhang,
Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film,
Hero, sometimes sacrificed momentum for sheer visual beauty;
House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay.
--Bret Fetzer