Tuesday, November 8, 2011

Amazon Kindle US Power Adapter (Kindle, Kindle Touch, Kindle Keyboard, Kindle DX)

  • The United States Kindle power adapter
  • Approved charger for Kindle, Kindle Touch, Kindle Keyboard, and Kindle DX
  • Fully charges Kindle, Kindle Touch, Kindle Keyboard, or Kindle DX in 4 hours or less
  • See Kindle User's Guide for instructions and important safety information

Final Destination 3 (Widescreen Two-Disc Special Edition)

  • Fasten your seatbelts and brace yourself for the "2-Disc Thrill Ride Edition" of Final Destination 3! It's the DVD that takes you on a ride BEYOND terror where YOU control your limit of fear!!Running Time: 93 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 794043103728 UPC: 794043103728 Manufacturer No: N10372
Fasten your seatbelts and brace yourself for the "2-Disc Thrill Ride Edition" of Final Destination 3! It's the DVD that takes you on a ride BEYOND terror where YOU control your limit of fear!!

DVD Features:
Alternate endings
Audio Commentary
DVD ROM Features
Documentaries
Featurette
Other

Giddily gruesome and perversely entertaining, Final Destination 3 proves, yet again, that horror franchises will thrive as long as teenagers keep finding spectacular ways to die. A stand-alone sequel t! o the first two Final Destination thrillers, this one begins when a group of seven high-school graduates luckily escape from a deadly roller-coaster disaster, only to discover that their own deaths have been only temporarily avoided. Cute brunette Wendy (Mary Elizabeth Winstead) spots clues of impending doom in digital photos of her soon-to-be-expiring classmates, and an ill wind follows her everywhere, suggesting the presence of a supernatural force that makes her a catalyst for gory events, as each of her friends is dispatched in the order they were meant to die. Returning to give their brainchild a suspenseful, low-budget makeover, franchise creators and former X-Files writers James Wong and Glen Morgan cleverly play on our collective fears (the roller coaster sequence is genuinely terrifying) with a knowing nod to violent urban legends, which explains their inclusion of the '70s hit "Love Roller Coaster" on the soundtrack when two stuck-up girlfriends pay! an ill-fated visit to a tanning parlor. And that's just for s! tarters: With Wong as director, FD3 serves up its grisly deaths with tight pacing and humor, and the cathartic carnage is discreetly edited yet gory enough to satisfy hardcore horror buffs. When morbid mayhem is this much fun, it's a safe bet that another sequel is just around the corner. --Jeff Shannon

On the DVD
As befits a horror franchise heavily invested in the idea of "fate," the Final Destination 3 disc carries a "Choose Their Fate" option. In other words, you can watch the movie with occasional choices offered; click on one of two alternatives, and see that version play out. This won't give you the power to let one character live or die; it's more like deciding whether somebody honks her horn twice in a scene, calls heads or tails on a coin flip, or pushes the thermostat to 72 degrees or 76. Not exactly life-changing, but it's kind of fun.

The bonus disc includes a 90-minute "making of" feature called Kill Shot, which covers the produc! tion of the movie in exhausting detail (honest detail, too: filmmakers James Wong and Glen Morgan are funny and blunt about the business they're in, including a section on how the original ending was scrapped in favor of a bloodier finale). It's everything you'd want to know about this movie--but who needs to know this much? A 7-minute cartoon, "It's All Around You," is an amusing meditation on bad luck and laws of probability, while a 25-minute featurette called Dead Teenager Movie spins off from Roger Ebert's theory about the rigid formula of a certain kind of horror film (Ebert weighs in on the subject himself). A few experts opine on the traditions of teenagers dying in horror films; some of them don't seem to be aware that the formula pre-dated the first Texas Chainsaw Massacre. Audio commentaries, special effects sidebars, and trailers fill out this needlessly authoritative disc. --Robert Horton

Glass

  • ISBN13: 9781416940913
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
This is a story about a monster. Not a dragon or a mythological beast, but a very real, very destructive monster--crystal meth--that takes hold of seventeen-year-old Kristina Snow and transforms her into her reckless alter-ego Bree. Based on her own daughter's addiction to crystal meth, Ellen Hopkins' novel-in-verse is a vivid, transfixing look into teenage drug use. Told in Kristina's voice, it provides a realistic portrayal of the tortured logic of an addict.Ellen Hopkins's semi-autobiographical verse novel, Crank, reads like a Go Ask Alice for the 21st century. In it, she chronicles the turbulent and often disturbing relationship betw! een Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank. Soon, her grades plummet, her relationships with family and friends deteriorate, and she needs more and more of the monster just to get through the day. Kristina hits her lowest point when she is raped by one of her drug dealers and becomes pregnant as a result. Her decision to keep the baby slows her drug use, but doesn't stop it, and the author leaves the reader with the distinct impression that Kristina/Br! ee may never be free from her addiction. In the author's note,! Hopkins warns "nothing in this story is impossible," but when Kristina's controlled, high-powered mother allows her teenage daughter to visit her biological father (a nearly homeless known drug user), the story feels unbelievable. Still, the descriptions of crystal meth use and its consequences are powerful, and will horrify and transfix older teenage readers, just as Alice did over 20 years ago. --Jennifer HubertPROFESSIONAL ASSASSIN CHEV CHELIOS LEARNS HIS RIVAL HAS INJECTED HIM WITH A POISON THAT WILL KILL HIM IF HIS HEART RATE DROPS.The heart-wrenching bestselling Crank trilogy shows that addiction is never just one person’s problem.

Crank

Kristina is the perfect daughter: gifted high school junior, quiet, never any trouble. Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soulâ€"her life.

Glass

Crank. Glass. Ice. Crystal. Whatever you call it, it’s all the same: a! monster. Kristina thinks she can control it. Now with a baby to care for, she is determined to be the one deciding when and how much, the one calling the shots. But the monster is strong, and before she knows it, Kristina is back in its grip . . . and it won’t let go.

Fallout

Nineteen years after Kristina met the monsterâ€"crankâ€"her three children are reeling from the consequences of her decisions. Instead of one big, happy family, they are desperate tangle of scattered lives united by anger, doubt, and fear. There is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they’ll discover something powerful in each other and in themselvesâ€"the trust, the hope, the courage to begin to break the cycle.Crank. Glass. Ice. Crystal. Whatever you call it, it's all the same: a monster. And once it's got hold of you, this monster will never let you go.

Kristina thin! ks she can control it. Now with a baby to care for, she's dete! rmined t o be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.

Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves -- her baby.

The sequel to Crank, this is the continuing story of Kristina and her descent back to hell. Told in verse, it's a harrowing and disturbing look at addiction and the damage that it inflicts.

Hunger: A Gone Novel

  • ISBN13: 9780061449086
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

Against all odds,! Katniss Everdeen has won the annual Hunger Games with fellow district tribute Peeta Mellark. But it was a victory won by defiance of the Capitol and their harsh rules. Katniss and Peeta should be happy. After all, they have just won for themselves and their families a life of safety and plenty. But there are rumors of rebellion among the subjects, and Katniss and Peeta, to their horror, are the faces of that rebellion. The Capitol is angry. The Capitol wants revenge.With Hunger, British filmmaker and artist Steve McQueen has turned one of history’s most controversial acts of political defiance into a jarring, unforgettable cinematic experience. In Northern Ireland’s Maze prison in 1981, twenty-seven-year-old Irish Republican Army member Bobby Sands went on a hunger strike to protest the British government’s refusal to recognize him and his fellow IRA inmates as political prisoners, rather than as ordinary criminals. McQueen dramatizes prison existence and Sa! nds’ final days in a way that is purely experiential, even a! bstract, a succession of images full of both beauty and horror. Featuring an intense performance by Michael Fassbender, Hunger is an unflinching, transcendent depiction of what a human being is willing to endure to be heard.

Stills from Hunger


With the exception of Julian Schnabel, visual artists have had a tough time at the cinema, but like the American painter before him, B! ritain's Steve McQueen beat the odds with the award-winning Hunger. In his visceral depiction of a political hunger strike, McQueen emphasizes specific moments over plot mechanics. Guard Raymond Lohan (Stuart Graham) serves as a guide into the hell of Belfast's Maze Prison, circa 1981, where Bobby Sands (Michael Fassbender in a remarkable performance) and his IRA brethren hunker down in blankets, since they refuse to don uniforms and can't wear their own clothes. They dump food on the floor, smear waste on the walls, and sleep with maggots in protest against their conditions. Even after moving the prisoners, the mistreatment continues, so they step up their campaign. It's no way to live, and it isn't easy to watch, but McQueen provides a reprieve through Sands's riveting conversation with Father Dominic Moran (Liam Cunningham), a scene his backers pressured him to cut, but the filmmaker wisely stood firm In his director's statement, McQueen says he wanted to "show wh! at it was like to see, hear, smell, and touch in the H-Block."! Because he avoids editorializing, it's as easy to condemn his subjects for their naïve idealism as it is to admire their singularity of purpose. Art background aside, McQueen clearly knows his U.K. film history, and appears to have spent time with the works of Alan Clarke (specifically Elephant) and Stanley Kubrick (see A Clockwork Orange), who share his fascination with the abuse of power, the horror of sudden violence, and the splendor of the static shot. --Kathleen C. FennessyIn the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when sh! e is forced to represent her district in the Games. But Katniss has been close to dead before-and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.

Acclaimed writer Suzanne Collins, author of the New York Times bestselling The Underland Chronicles, delivers equal parts suspense and philosophy, adventure and romance, in this searing novel set in a future with unsettling parallels to our present.In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with! her mother and younger sister, regards it as a death sentence! when sh e is forced to represent her district in the Games. But Katniss has been close to dead before-and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weigh survival against humanity and life against love.

Acclaimed writer Suzanne Collins, author of the New York Times bestselling The Underland Chronicles, delivers equal parts suspense and philosophy, adventure and romance, in this searing novel set in a future with unsettling parallels to our present.

It's been three months since all the adults disappeared. Gone.

food ran out weeks ago and starvation is imminent. Meanwhile, the normal teens have grown resentful of the kids with powers. And when an unthinkable tragedy occurs, chaos descends upon the town. There is no longer right and wrong. Each kid is out for himself and even the good ones turn murderous.

But a larger problem looms. The Darkne! ss, a sinister creature that has lived buried deep in the hills, begins calling to some of the teens in the FAYZ. Calling to them, guiding them, manipulating them.

The Darkness has awakened. And it is hungry.


The New Big Book of U.S. Presidents: Fascinating Facts about Each and Every President, Including an American History Timeline

  • ISBN13: 9780762433377
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The president who served the shortest termâ€"just a single monthâ€"but whose victorious election campaign rewrote the rules for candidates seeking America's highest office

William Henry Harrison died just thirty-one days after taking the oath of office in 1841. Today he is a curiosity in American history, but as Gail Collins shows in this entertaining and revelatory biography, he and his career are worth a closer look. The son of a signer of the Declaration of Independence, Harrison was a celebrated general whose exploits at the Battle of Tippecanoe and in the War of 1812 propelled him into politics, and in time he became a leader of the new Whig Party, alongside Daniel Webster and Henr! y Clay. But it was his presidential campaign of 1840 that made an indelible mark on American political history.

Collins takes us back to that pivotal year, when Harrison's "Log Cabin and Hard Cider" campaign transformed the way candidates pursued the presidency. It was the first campaign that featured mass rallies, personal appearances by the candidate, and catchy campaign slogans like "Tippecanoe and Tyler, Too." Harrison's victory marked the coming-of-age of a new political system, and its impact is still felt in American politics today. It may have been only a one-month administration, but we're still feeling the effects.

Every day, President Obama reads ten representative letters among the thousands he receives from citizens across the land. The letters come from people of all ages, walks of life, and political points of view. Some are heart­breaking, some angry, some hopeful. Indeed, Obama reads as many letters addressed “Dear Jackass” as “Dear Mr. Pre! sident.” Eli Saslow, a young and rising star at the Washi! ngton Po st, became fascinated by the power of these letters and set out to find the stories behind them.

Through the lens of ten letters to which Obama responded personally, this exceptionally relevant and poignant book explores those individual stories, taking an in-depth look at the misfortunes, needs, opinions, and, yes, anger over the current state of the country that inspired ten people to put pen to paper. Surprisingly, what also emerges from these affecting personal narratives is a story about the astounding endurance and optimism of the American people.

Ten Letters
is an inspiring and important book about ordi­nary people and the issues they face every dayâ€"the very issues that are shaping America’s future. This is not an insider Washington book by any means, but a book for the times that tells the real American stories of today.
Up to Date for 2008!

This is the perfect introduction for young readers to the lives and times of Americaâ€! ™s 43 most influential leaders. Just as the new president is inaugurated, readers can easily relive the course of American history through a detailed timeline, more than 50 vivid photographs and illustrations, information about each president’s term in office, and the major political issues of each era. Quick-reference sidebars provide brief summaries of the major events and important people who emerged during each presidential term. Famous quotes and fun facts about each president ensure that this perennial favorite continues to be an entertaining and enlightening addition to any child’s library.


Dick

  • Widescreen 1.85:1, Dolby 5.1, English Language with English Subtitles
  • Director and Screenwriter Commentary
  • "Making-of" Featurette
  • Deleted Scenes * Blooper Reel * Theatrical Trailers
  • Isolated Music Soundtrack with Highlights
Two high school girls wander off during a class trip to the White House and meet President Richard Nixon.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 13-FEB-2007
Media Type: DVDSo who exactly was Deep Throat, that all-important source who helped Bob Woodward and Carl Bernstein bust open the Watergate scandal? Well, according to this thoroughly funny, keenly smart comedy from director Andrew Fleming (The Craft), it was two sweetly daft teenage girls named Betsy and Arlene. Taking the history and figures from Watergate and running gleefully and sacrilegiously amok, Dick offers up ! a hilarious what-if scenario that takes the Nixon administration's downfall from grave tragedy to hilarious farce. When Betsy (Kirsten Dunst) and Arlene (Michelle Williams) run into a shady figure in the stairwell of Arlene's Watergate apartment building, little do they know they've stumbled upon G. Gordon Liddy (Harry Shearer) on the night of the Democratic National Headquarters break-in. Later, on a White House field trip, they wind up meeting with Nixon himself (Dan Hedaya), who, to ensure their silence, decides to make them official White House dog walkers and "secret youth advisors." Of course, Betsy and Arlene soon find out their idol has feet of clay, and ultimately decide to aid "radical muckraking journalists" (and queasy rivals) Woodward (Will Ferrell) and Bernstein (Bruce McCullough) in their investigation. Fleming and cowriter Sheryl Longin's enfolding of the Watergate scandal is extremely clever and inspired, from Arlene's 18-and-a-half-minute declaration of l! ove on Nixon's tape recorder to the Hello Dolly cookies (laced! with a certain herbal stimulant) that help bring about the U.S.-Soviet accord. And after all the angsty-serious portraits of Watergate, it's bliss to see the prime players sent up mercilessly; in addition to Shearer, the cast boasts Dave Foley (Erlichman), Jim Breuer (John Dean), Saul Rubinek (Kissinger), and Ana Gasteyer (Rosemary Woods), all in fine form. Hedaya's Nixon, dead-on but never parodic, is an Oscar-worthy comic turn, and Dunst and Williams invest their characters with affection and humor; the success of the film lies in the way these talented actresses make us laugh with Betsy and Arlene, never at them. Don't be put off by the teen sheen on this comedy--it's also for all of us who still remember Watergate even after 25 years, and still love dancing on the scandal's grave. --Mark Englehart

FIDO

  • Fido Has Attitude With His Spiked Collar. He Appeals To Children and Adults.
  • FIDO Walks, Barks, Heels and Flips 360 Degrees And Lands Back On His Feet
  • 3+
No description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 10/23/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveIt doesn't take long for the hilarity of Fido's central idea to kick in: the world is reeling from the Zombie War, and the undead are being contained in two different ways. Some of them are roaming loose in fenced-off wilderness zones. The rest are, thanks to the good people at the ZomCom corporation, docile and domesticated--indeed, availa! ble as house servants for the upwardly-mobile. Such is the case with the Robinson family, a suburban clan who seem to have stepped straight out of an old episode of Lassie. Little Timmy is happy about the new manservant, whom he promptly dubs "Fido," and Fido himself is fine as long as the mechanical collar around his neck doesn't malfunction (in which case he will revert to being a cannibalistic brain-eating zombie). Fido is played, in a stroke of inspiration, by the Scots comedian Billy Connolly, although you wouldn't be able to recognize him without already knowing he's in the movie. Dylan Baker and especially Carrie-Anne Moss are just right as Timmy's parents, who have accidentally wandered out of a John Cheever novel and into a George Romero world. Director Andrew Currie skillfully gets the 1950s satire and the zombie action right, although there's no way to disguise that this premise is too thin to spread out over feature length. For a while, though, Fido hits a stride--a staggering, vacant-eyed stride. --Robert! Horton< /I>BOY EATS GIRL - DVD MovieFIDO BLACK WALKING BARKING FLIPPING DOG - Black

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