ANDIE MACDOWELL 20X24 COLOR PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 20X24 inches

Based on the novel by one of the world's best-selling authors, the Lifetime Original Movie PATRICIA CORNWELL S THE FRONT is the fast-paced sequel to Patricia Cornwell s At Risk and it reunites Monique Lamont (Andie MacDowell, Sex, Lies and Videotape) and Win Garano (Daniel Sunjata, Rescue Me) to investigate Boston s most famous criminal. Attempting to generate much needed publicity for her flagging political aspirations, Monique orders Win to re-open the investigation of the brutal, decades-old murder of a young blind woman named Janie Brolin. Janie s boyfriend was the main suspect in the original investigation, but Monique has another suspect in mind the Boston Strangler. Win must work closely with a no-nonsense and combative female detective named Stump (Ashley Williams, Good Morning, Miami) to unp! eel layer upon layer of the 40-year-old crime. Win and Stump s relationship evolves as they uncover the truth about Janie s death and track down a psychopath who is leaving their witnesses and colleagues dead in his wake.This funny and touching story centers on Kate a forty-year-old respectable and successful headmistress in a small English village who gets together with her single friends Molly a doctor and Janie a local police detective every Monday to drink eat chocolate and decide who is the Saddest of the Week. Things start to turn displeasing between the three friends when Kate begins an affair with Jed a sexy 25-year old ex-pupil and is no longer the Saddest of the Week!System Requirements: Running Time 122 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396079021 Manufacturer No: 07902At first Crush seems to be merely the latest film to portray a clique of boozy, trash-talking women as part of a larger, liberated sisterhood worthy of celebr! ation if not admiration. The lighthearted comedy abruptly deto! urs, how ever, to expose vicious jealousies with brutal, unexpected consequences. A trio of single women in their 40s, Kate, Janine, and Molly (Andie MacDowell, Imelda Stanton, and Anna Chancellor) engage in a weekly ritual of gin, cigarettes, and joyous male sniping that despite its occasional glimpses of bare insecurity is all good "girl" fun. But when Kate, headmistress at the local school, takes up with a former student (Kenny Doughty) nearly 20 years younger and falls wildly in love, her closest friends, rather than embrace a true departure from social mores, plan instead to sabotage Kate's happiness and bring her to her senses. In one of the most inexplicable twists you're likely to see in a comedy, Janine and Molly's ploy takes an unexpectedly lethal turn, and Crush goes from amusing, if predictable, to downright nasty, and then back to end on a happy note. The effect is provocative, though perhaps unintended. --Fionn Meade The director Michael Lindsay-Hogg has a! name that sounds British despite the fact that he is a New Yorker by birth. Maybe that association derives from the fact that he's primarily helmed television films--segments of Brideshead Revisited, for example, as well as a pile of music videos for English bands like the Who and the Rolling Stones. One of his few ventures into feature filmmaking (another was the little-seen Frankie Starlight) is the 1990 film The Object of Beauty, which also looks, sounds, and feels British in sensibility. The film is set in a tony London hotel, the weather is England-dreary, and the clothes (when the actors are wearing them) are tweedish and woolly in appearance. And the story is essentially repressed and internal save for the brash American performances of John Malkovich and Andie MacDowell, who play a couple living way above their limited financial means. When Jake (Malkovich) bottoms out in a business deal, he urges Tina (MacDowell) to sell her little Henry Moore! sculpture, an object of great beauty. Such beauty, in fact, t! hat a yo ung mute hotel maid decides to steal it for her own. The actress Rudi Davies, who plays the maid, steals more than the Moore, however. She sneaks the film out from under Malkovich and MacDowell, who was just coming off of her sex, lies, and videotape acclaim, and who is quite good here as well. The Object of Beauty is too subtle in its message--Jake and Tina lose their last monetary chance and in penury begin to discover who they are as people--to let us care about such a pouty pair, and the "hilarious mix-ups and mayhem" that the film promises are, in actuality, tame and trite. --Paula Nechak OBJECT BEAUTY - DVD MovieThe director Michael Lindsay-Hogg has a name that sounds British despite the fact that he is a New Yorker by birth. Maybe that association derives from the fact that he's primarily helmed television films--segments of Brideshead Revisited, for example, as well as a pile of music videos for English bands like the Who and the Rolling S! tones. One of his few ventures into feature filmmaking (another was the little-seen Frankie Starlight) is the 1990 film The Object of Beauty, which also looks, sounds, and feels British in sensibility. The film is set in a tony London hotel, the weather is England-dreary, and the clothes (when the actors are wearing them) are tweedish and woolly in appearance. And the story is essentially repressed and internal save for the brash American performances of John Malkovich and Andie MacDowell, who play a couple living way above their limited financial means. When Jake (Malkovich) bottoms out in a business deal, he urges Tina (MacDowell) to sell her little Henry Moore sculpture, an object of great beauty. Such beauty, in fact, that a young mute hotel maid decides to steal it for her own. The actress Rudi Davies, who plays the maid, steals more than the Moore, however. She sneaks the film out from under Malkovich and MacDowell, who was just coming off of her sex,! lies, and videotape acclaim, and who is quite good here a! s well. The Object of Beauty is too subtle in its message--Jake and Tina lose their last monetary chance and in penury begin to discover who they are as people--to let us care about such a pouty pair, and the "hilarious mix-ups and mayhem" that the film promises are, in actuality, tame and trite. --Paula Nechak Describes the career of Andie MacDowell and how she achieved success as a fashion model. Includes her goals and personal beauty tips.What begins as an average day for ethan takes a dangerous turn when hes kidnapped & held hostage in his apartment. The home invaders arent looking to rob him: instead they are looking to avenge the death of a right-wing cult leader. But the more they interrogate him the more they doubt hes the killer. Studio: Millenium Media Services Release Date: 10/12/2010 Starring: Andie Macdowell Frank Whaley Run time: 91 minutes Rating: RAt Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport! and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!