Ceremony: (Penguin Classics Deluxe Edition)

• ISBN13: 9780143104919
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Thirty years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power.

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Green Street Hooligans

• A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.Running Time: 108 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 012569760295 UPC: 012569760295 Manufacturer No: 76029

A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.

DVD Features:
Documentary:The Making of Hooligans
Music Video:"One Blood" Music Video by Terence Jay

After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets ! him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish anticsâ€"to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylized fight sequences. Consequently, humor is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) ! correlation between the two, Green Street makes a fine ! taster f or Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy

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The Last Song

• LAST SONG (DVD MOVIE)

DEAR JOHN - DVD MovieDear John brings together a totally believable and charming cast--the lovely Amanda Seyfried and Channing Tatum--with a tried-and-true romantic plot that will have a new generation of movie fans and lovers reaching for their hankies. Director Lasse Hallström (The Cider House Rules, What's Eating Gilbert Grape, My Life as a Dog) again proves his deft handling of young actors portraying feelings and emotions far beyond their years. His direction, along with the stellar performances of the cast, will have Dear John lingering in the memory long after viewing. Tatum plays a soldier home on leave (the John of the title), when he meets Savannah (Seyfried), a college student. The two may not have been looking for love, but love finds them anyway. Then the September 11 attacks happen, and John is torn between love ! for Savannah and duty to country. Because this is an adaptation of a Nicholas Sparks novel, there will be drama and heartbreak, and Dear John doesn't tread lightly in this emotional battlefield. But there's a delicacy in the performances, especially Seyfried's, which transcends the almost-cookie-cutter character outlines given to the actors. Also worthy of mention are supporting cast members Richard Jenkins (as John's quiet, autistic dad) and Henry Thomas (as Tim, a single dad who goes to nearly impossible lengths to avoid breaking the heart of his son). See Dear John with an open heart, and know that it will be deeply touched. --A.T. Hurley


Stills from Dear John (Click for larger image)

When Savannah Lynn Curtis comes into his life, John Tyree knows he is ready to turn over a new leaf. An angry rebel, he had enlisted in the army after high school, not knowing what else to do. Then, during a furlough, he meets the girl of his dreams. Savannah Lynn Curtis is attending college in North Carolina, working for Habitat for Humanity, and totally unprepared for the passionate attraction she feels for John Tyree.The attraction is mutual and quickly grows into the kind of love that leaves Savannah vowing to wait for John while he finishes his tour of duty, and John realizing that he's ready to settle down with the young woman who has captured his heart.Neither can foresee that 9/11 is about to change the world and will! force John to risk every hope and dream that he's ever had.Li! ke so ma ny proud men and women, John must choose between love and country. And like all those left behind, Savannah must decide to wait or move on. How do we choose wisely? How can we face loss-without giving up on love? Now, when he finally returns to North Carolina, John will discover that loving Savannah will force him to make the hardest decision of his life. An extraordinary, moving story, DEAR JOHN explores the complexities of love-how it survives time and heartbreak, and how it transforms us forever.

An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who captured his heart. But 9/11 changes everything. John feels it is his duty to re-enlist. And sadly, the long separation fi! nds Savannah falling in love with someone else. "Dear John," the letter read...and with those two words, a heart was broken and two lives were changed forever. Returning home, John must come to grips with the fact that Savannah, now married, is still his true love--and face the hardest decision of his life.

Go Behind the Scenes of the Motion Picture Dear John (Sony Pictures, 2010)
Starring Amanda Seyfried and Channing Tatum
(Click on each image below to see a larger view)

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Studio: Sony Pictures Home Ent Release Date: 05/25/2010 Run time: 109 minutes Rating: Pg13Dear John brings together a totally believable and charming cast--the lovely Amanda Seyfried and Channing Tatum--with a tried-and-true romantic plot that will have a new generation of movie fans and lovers reaching for their hankies. Director Lasse Hallström (The Cider House Rules, What's Eating Gilbert Grape, My Life as a Dog) again proves his deft handling of young actors portraying feelings and emotions far beyond their years. His direction, along with the stellar performances of the cast, will have Dear John lingering in the memory long after viewing. Tatum plays a soldier home on leave (the John of the title), when he meets Savannah (Seyfried), a college student. The two may not have been looking for love, but love finds them anyway. Then the September 11 attacks ! happen, and John is torn between love for Savannah and duty to! country . Because this is an adaptation of a Nicholas Sparks novel, there will be drama and heartbreak, and Dear John doesn't tread lightly in this emotional battlefield. But there's a delicacy in the performances, especially Seyfried's, which transcends the almost-cookie-cutter character outlines given to the actors. Also worthy of mention are supporting cast members Richard Jenkins (as John's quiet, autistic dad) and Henry Thomas (as Tim, a single dad who goes to nearly impossible lengths to avoid breaking the heart of his son). See Dear John with an open heart, and know that it will be deeply touched. --A.T. Hurley


Stills from Dear John (Click for larger image)

Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.

The new buzzword in female sexuality is Â"sexual fluidity”—the idea that for many women, sexual identity can shift over time, often in the direction of same-sex relationships. Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.

In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known wr! iters and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.

Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who captured his heart. But 9/11 changes everything. John feels it is his duty to re-enlist. And sadly, the long separation finds Savannah falling in love with someone else. "Dear John," the letter read...and with those two words, a heart was broken and two lives were changed forever. Returning home, John mu! st come to grips with the fact that Savannah, now married, is ! still hi s true love--and face the hardest decision of his life.

An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who captured his heart. But 9/11 changes everything. John feels it is his duty to re-enlist. And sadly, the long separation finds Savannah falling in love with someone else. "Dear John," the letter read...and with those two words, a heart was broken and two lives were changed forever. Returning home, John must come to grips with the fact that Savannah, now married, is still his true love--and face the hardest decision of his life.

Go Behind the Scenes of the Motion Picture Dear John (Sony Pictures, 2010)!
Starring Amanda Seyfried and Channing Tatum
(Click on each image below to see a larger view)

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An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who captured his heart. But 9/11 changes e! verything. John feels it is his duty to re-enlist. And sadly, the long separation finds Savannah falling in love with someone else. "Dear John," the letter read...and with those two words, a heart was broken and two lives were changed forever. Returning home, John must come to grips with the fact that Savannah, now married, is still his true love--and face the hardest decision of his life.Miley Cyrus shines as the star of this heartwarming coming-of-age movie that will strike your emotional chords. Based on the novel by Nicholas Sparks (Dear John, The Notebook), The Last Song follows Ronnie (Cyrus) and her estranged father as he tries to restore the loving relationship they once had. But reconnecting with his rebellious daughter isn’t easy, so he chooses the one thing they still have in common â€" music. Complete with not-to-be-missed bonus features â€" the Miley Cyrus music video “When I Look At You,” exclusive interviews with the actress and more â€" this uplifting ! and touching drama about family, first loves and second chance! s is a h eartfelt story to you won’t soon forget.
This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic secret, and in the end, music helps Ronnie open her heart and heal. Cyrus gives a predictable performance as th! e all-attitude Ronnie, but she's helped along by Coleman's cute-little-brother shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

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Dorian Gray

• DORIAN GRAY (DVD MOVIE)

Dorian Gray, a handsome young man, receives a beautiful painting of himself from his good friend Basil Hallward. In the same moment, a new acquaintance, Lord Henry, introduces Dorian to the ideals of youthfulness and hedonism, of which Gray becomes immediately obsessed. Meanwhile, the painting in Dorian's possession serves as a constant reminder of his passing beauty and youth, driving his obsession.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dor! ian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And ! Wilde, defending Dorian Gray, had it both ways: "All excess, ! as well as all renunciation, brings its own punishment."This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotto! n encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchas! e of the Kindle edition includes wireless delivery.

The P! icture o f Dorian Gray altered the way Victorians understood the world they inhabited. It heralded the end of a repressive Victorianism, and after its publication, literature hadâ€"in the words of biographer Richard Ellmannâ€"“a different look.” Yet the Dorian Gray that Victorians never knew was even more daring than the novel the British press condemned as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” Now, more than 120 years after Wilde handed it over to his publisher, J. B. Lippincott & Company, Wilde’s uncensored typescript is published for the first time, in an annotated, extensively illustrated edition.

The novel’s first editor, J. M. Stoddart, excised materialâ€"especially homosexual contentâ€"he thought would offend his readers’ sensibilities. When Wilde enlarged the novel for the 1891 edition, he responded to his critics by further toning down its “immoral” elements. The differences between the text Wilde ! submitted to Lippincott and published versions of the novel have until now been evident to only the handful of scholars who have examined Wilde's typescript.

Wilde famously said that Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to beâ€"in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own, which saw Wilde sentenced to two years’ hard labor for gross indecency. The appearance of Wilde’s uncensored text is cause for celebration.

(20110323)Forever young. Forever cursed. Based on the acclaimed novel by Oscar Wilde. Upon arriving in London, the young and powerful Dorian Gray (Ben Barnes) becomes drawn into a world of debauchery and decadence by Lord Henry Wotton (Colin Firth). Desperate to preserve the beauty captured in his exquisite portrai! t, Dorian trades his soul for eternal youth â€" leading him do! wn a pat h of wickedness and murder in order to protect his horrifying secret.

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Playskool Alphie

• There's a whole lot to discover when you're a preschooler and this Alphie figure shares one of the most important lessons, too
• Fun and engaging electronic robot figure
• Introduce your child to letters, math skills, special reasoning, cause and effect and much more
• Robot figure sings and plays music and features light up buttons
• Robot figure comes with 30 double-sided cards

Playskool Alphie Fun and engaging electronic robot figure introduces your child to letters, math skills, special reasoning, cause and effect and much more. Robot figure “sings and plays music and features light up buttons! Robot figure comes with 30 double-sided cards Includes 3 “AA batteries Recommended Ages: 3 years & up

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Garmin Portable Friction Mount - Frustration Free Packaging

• Ships in Amazon Frustration-Free Packaging
• Four-arm shape conforms to your dashboard
• Attachment arm connects directly to your GPS
• Compatible with nüvi series GPS navigators and StreetPilot C5XX series
• One-year limited warranty

A wheel turns because of its encounter with the surface of the road; spinning in the air it goes nowhere. Rubbing two sticks together produces heat and light; one stick alone is just a stick. In both cases, it is friction that produces movement, action, effect. Challenging the widespread view that globalization invariably signifies a "clash" of cultures, anthropologist Anna Tsing here develops friction in its place as a metaphor for the diverse and conflicting social interactions that make up our contemporary world.

She focuses on one particular "zone of awkward engagement"--the rainforests of Indonesia--where in the 1980s and ! the 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, a province, or a nation, the social drama of the Indonesian rainforest includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, UN funding agencies, mountaineers, village elders, and urban students, among others--all combining in unpredictable, messy misunderstandings, but misunderstandings that sometimes work out.

Providing a portfolio of methods to study global interconnections, Tsing shows how curious and creative cultural differences are in the grip of worldly encounter, and how much is overlooked ! in contemporary theories of the global.

For five ye! ars, Friction has been providing readers with the best gay erotic fiction published each year. Now we bring together the best stories from this monumental series into one volume.

Jesse Grant is a writer and editor. He edited Men for All Seasons and has been the co-editor of the Friction series since the second volume.

From friendly dolphins to giant pandas, from icebergs and glaciers to energy from the sun, from magnets to solids, liquids, and gases, Rookie Read-About Science is a natural addition to the primary-grade classroom with books that cover every part of the science curricula. Includes: animals, nature, scientific principles, the environment, weather, and much more!This accessible book identifies twelve mechanisms of political radicalization that can move individuals, groups, and the masses to increased sympathy and support for political violence. Terrorism is an extreme form of radicalization, and the book describes pathways to terrori! sm to demonstrate the twelve mechanisms at work.

Written by two psychologists who are acknowledged radicalization experts and consultants to the Department of Homeland Security, Friction draws heavily on case histories. The case material is wide-ranging - drawn from Russia in the late 1800s, the US in the 1970s, and the radical Islam encouraged by the fall of the Soviet Union in the 1990s. Taken together, the twelve mechanisms show how unexceptional people are moved to exceptional violence in the conflict between states and non-state challengers. Captivating, and with psychological overtones, this timely book covers one of the most pressing issues of our time.

The Friction series of gay erotica presents the sexiest work of the top writers from the country’s most popular gay erotic magazines. It contains the best of the thousands of stories published in the past year. The stories in this collection are, simply put, the hottest in print.

Jesse Grant is a writer and editor. He edited Men ! for All Seasons and has been the co-editor of the Friction series since the second volume.

Simon is the coolest teacher anywhere. Forest Alternative is lucky to have him. When Stacy arrives -- a new kid with secrets, gleaming hair, and a tongue ring -- she sizes up Simon and agrees, adding: "He is a total babe." True. What Stacy says later about Alex and Simon after the class overnight camp out is not true, but "looks" as if it could be. Alex herself begins to wonder what's real, what's not. But she can't confide in her parents. They'd freak. And, after all, she does love Simon. Listening to Stacy though, everyone else is totally suckered -- most painfully Alex's best buddy and sort-of boyfriend, Tim. "Why were you hugging him?" Tim wants to know, and it's hard to explain. Simon did "not" do what Stacy claims! Did he? Could he? At age twelve the truth seems hopelessly complicated. And it gets even more so after Alex makes a surprise visit to Stacy's hou! se. There, she finds out the answer to one terrible question, only to discover another, far worse.Most well-known for her devastatingly poignant teen tales of urban desperation and redemption, renowned young adult author E. R. Frank switches gears and narrows her focus to the pivotal events of one 8th grade classroom. The progressive petri dish of Forest Alternative’s middle school is stirred the wrong way when sophisticated, tongue-ringed Stacy makes the scene. Almost immediately, Stacy takes advantage of the school’s relaxed and experimental atmosphere to start a little excitement. For reasons known only to herself, she begins to insinuate that Simon, the 8th grade‘s idealistic, good-looking young teacher, is in love with Alex, Friction’s mild mannered first person narrator. Embarrassed and infuriated, Alex tries to squelch the gossip, but only manages to make herself look more guilty to her classmates. When she finally confronts Stacy, Alex is horrified when Stac! y tearfully admits that the reason she’s been spreading the ! rumors i s to draw attention away from the fact that Simon is actually molesting her. Confused and half caught up in Stacy’s stories herself, Alex makes the mistake of trusting her shifting feelings instead of what she knows to be true, irreparably harming her admired teacher in the process. Friction is a provocative, deadly accurate portrayal of puberty, in all its manipulative, perplexing, unmanageable glory. Alex’s quest to discover the definition of truth is a journey every teenager makes, and teen readers of Friction will take great comfort in the fact that a trusted author, who clearly hasn’t forgotten adolescence herself, is helping to chart the path. (Ages 12 to 15) --Jennifer Hubert "

A baseball player slides on the ground to tag a base. A toy car's wheels rub against the floor and slow the toy car down. Friction is at work all around you. But what exactly is friction? And how does it affect different objects? Read this book to find out!! Learn all about matter, energy, and forces in the Exploring Physical Science series--part of the Lightning Bolt Books(tm) collection. With high-energy designs, exciting photos, and fun text, Lightning Bolt Books(tm) bring nonfiction topics to life!

"Ships in Amazon Frustration-Free Packaging Four-arm shape conforms to your dashboard Attachment arm connects directly to your GPS Compatible with nvi series GPS navigators and StreetPilot C5XX series One-year limited warrantyGarmin and Amazon.com have teamed up to offer this item in Amazon Frustration-Free Packaging, a recyclable, easy-to-open alternative to traditional packaging. Products in Frustration-Free Packaging are exactly the same--we've just streamlined the packaging. A Frustration-Free Package comes without wire ties, hard plastic "clamshell" casings, and plastic bindings. It's designed to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging. Thi! s item ships in its own box, without the need for an additiona! l shippi ng box. Learn more about Frustration-Free Packaging.

Keep your nüvi in place with this portable friction mount. It'll keep everything in plain sight when you need it and out of the way when you don't. The arm attachment connects directly to your GPS device, and once you've adjusted it to your liking, locks into place. Avoid the "wing around the windshield" syndrome that accompanies windshield mounts.

Perfect for locales where window-mounting is prohibited or those who simply prefer a quick way to mount/unmount their nüvi/StreetPilot device.

See the difference

Traditional clamshell packaging. Click to enlarge.

Traditional clamshell packaging. Click to enlarge.

Amazon frustration-free packing. Click to! enlarge .

Compatible Garmin Models

• aera 500, 510, 550, 560
• nüvi 1200, 1250, 1260T, 1300, 1350, 1350T, 1370T, 1390T, 1450, 1490T, 1690, 200, 200W, 205, 205W, 250, 250W, 255, 255W, 260, 260W, 265T, 265WT, 270, 275T, 285WT, 350, 360, 370, 465T, 500, 5000, 550, 600, 610, 650, 660, 670, 680, 750, 755T, 760, 765T, 770, 775T, 780, 785T, 850, 855, 880, 885T
• StreetPilot c510, c530, c550, c580, i2, i3, i5
• zÅ«mo 660

What's in the Box
Dashboard mount, arm attachment, and owner's manual

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Live Free or Die Hard [Blu-ray]

• Condition: New
• Format: Blu-ray
• Widescreen

Bruce Willi stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his e! stranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre", epitomized by such films as Under Siege (" Die Hard on a ship"), Passenger 57 ("Die Hard on a plane" ), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of me! morable lines (among them "Welcome to the party, pal!" and of ! course " Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for. --David HoriuchiDie Hard
Bruce Willis stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as Mclane waits for his wife's office party to break up, terrorist take control of the building. While the terrorist leader, Hans gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a service revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.

Die Hard 2
Bruce Willis returns as the heroic cop who battles not only terro! rists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!

Die Hard 3
The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.

Live Free or Die Hard
"The best of the best is back and better than ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Will! is) delivers old-school justice to a new breed of terrorists w! hen a ma ssive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain")! . But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequen! ces. One year after the Nakatomi incident, McClane (Willis) is! awaitin g his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and give! s John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan kn! ows that this is when the assassins with foreign accents and h! igh-powe red weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franc! hise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiContains: *Die Hard *Die Hard Bonus Disc *Die Hard 2: Die Harder *Die Hard 2: Die Harder Bonus Disc *Die Hard: With a Vengeance *Die Hard: With a Vengeance Bonus DiscDie Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estranged wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert ! killers, and with little help coming from outside, McClane has! to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable lines (among them "Welcome to the party, pal!" and of course "Yippee ki-ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both ! bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert ! Patrick as terrorists, and future politician and Law and Or! der actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to the familiar McClane-vs.-villains-showdown format.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass ! as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses. Live Free or Die H! ard uses some of the cat-and-mouse elements of Die Hard! with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David HoriuchiBruce Willis stars as New York City Detective John McClane, newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). As Mclane waits for his wife's office party to break up, terrorists take control of the building. While the terrorist leader, Hans Gruber (Alexander Godunov) round up hostages, McClane slips away unnoticed. Armed with only a ser! vice revolver and his cunning, McClane launches his own one-man war. A crackling thriller from beginning to end, Die Hard explodes with heart-stopping suspense.This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody re! porter. Exceptionally well directed by John McTiernan. --To! m Keogh< /i>Disc 1: **"Die Hard" Widescreen Feature with optional Commentary by director John McTiernan and production designer Jackson DeGovia **Additional scene-specific commentary by special effects supervisor Richard Edlund **Subtitled commentary by various cast and crew **Branching version with the extended power shutdown scene **DVD-ROM - script-to- screen comparison

Disc 2: **"Die Harder" Widescreen Feature **Directors commentary

Disc 3: **"Die Hard with a Vengeance" Widescreen Feature **Directors commentary

Disc 4 Bonus Disc: **Inside Look: LIVE FREE OR DIE HARD **Wrong Guy, Wrong Place, Wrong Time: A Look Back At Die Hard **The Continuing Adventures of John McClane Die Hard is the movie franchise that made a movie star out of TV star Bruce Willis, and created an entire action-movie genre of its own. In the original 1988 film, Willis plays wisecracking New York cop John McClane, who arrives at the Nakatomi Plaza in Los Angeles to meet up with his estrange! d wife, Holly (Bonny Bedelia), at her office Christmas party. As luck would have it, the company ends up in the middle of a terrorist plot led by Hans Gruber (Alan Rickman) and his gang of expert killers, and with little help coming from outside, McClane has to pick off his enemies one by one. Thus was born the "Die Hard genre," epitomized by such films as Under Siege ("Die Hard on a ship"), Passenger 57 ("Die Hard on a plane"), Speed ("Die Hard on a bus"), and Cliffhanger ("Die Hard on a mountain"). But few measure up to the explosive brilliance of Die Hard. Director John McTiernan develops the action at a fast and furious pace, culminating in some fantastic set-pieces on the top of the building, in the elevator shaft, and in the building's outer plaza. Jeb Stuart and Steven E. de Souza's script, based on Roderick Thorp's novel Nothing Lasts Forever, is smart, funny, and full of memorable l! ines (among them "Welcome to the party, pal!" and of course "Y! ippee ki -ay, motherf*****"), and the cast is perfection, especially Rickman as the cunningly evil villain, and Willis, whose McClane character--bloodied, beaten, bruised, and barely breathing, as he battles both bad guys and bureaucrats--is someone audiences could genuinely cheer for.

Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (unofficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Willis) is awaiting his wife's (Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the ! latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control.

The third film in the series, Die Hard with a Vengeance (1995), was again directed by John McTiernan and uses a different concept. The villain (played by Jeremy Irons) claims to have planted bombs all over New York City and gives John McClane (Willis), now alchoholic and separated, a series of clues to try to track them down. Along the way, he's aided by, and eventually teams up with, a Harlem shopkeeper named Zeus Carver (Samuel L. Jackson). The interplay between Willis and Jackson is engaging, but better suited to the Lethal Weapon franchise it was previously considered for, and not till the end does the movie return to th! e familiar McClane-vs.-villains-showdown format.

The 20! 07 Di e Hard Collection is a four-disc set that comes up short when compared to the previous six-disc Ultimate Collection , which is now out of print. That 2001 set had two discs for each film (plus, Die Hard was a Five Star Collection release). This set does away with all of the second discs, though it retains the features that were on the movie-only discs, including director commentaries and the seamlessly branched version of the first film with a scene added back in. There's also a brand-new fourth disc, but it's pretty minor. "Wrong Guy, Wrong Place, Wrong Time" is a 40-minute retrospective of the original movie. Wide-ranging but rather dull, it collects interviews with director John McTiernan, cinematographer Jan De Bont, screenwriters Jeb Stuart and Steven E. De Souza, other crew, and actors Reginald Veljohnson, Hart Bochner, and William Atherton. Also from 2007, "The Continuing Adventures of John McClane" looks at the second and third movies in the s! eries. It's a mere 13 minutes and only interviews the two directors, Renny Harlin and (in new and old footage) John McTiernan. Last, three trailers for the 2007 film, Live Free or Die Hard, make this set look like something that was released merely to have something on the shelves while the new film was in theaters. --David HoriuchiJohn McClane takes on an Internet-based terrorist organization who is systematically shutting down the United States.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan know! s that this is when the assassins with foreign accents and hig! h-powere d weaponry show up, telling McClane that once again he's stumbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise)! , good humor, and Willis's ability to toss off a quip while barely alive. There was some controversy over the film's PG-13 rating--there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

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The third installment of the hugely succesful Die Hard series, reteams Bruce Willis and director John McTiernan in a new action/adventure extravaganza of special effects, unexpected comedy and non-stop thrills.The second sequel ! to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineThe second sequel to the mold-making action film Die Hard brings Detective John McClane (Bruce Willis) to New York City to face a better villain than in Die Hard 2. Played by Jeremy Irons, he's the brother of the Germanic terrorist-thief Alan Rickman played in the origina! l film. But this bad guy has his sights set higher: on the Fed! eral Res erve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L. Jackson) with a chip on his shoulder. Some great action sequences, though they can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall FineBruce Willis returns as the heroic cop who battles not only terrorists, but also an incompetent airport police chief (Dennis Franz), the hard-headed commander (John Amos) of the Army's anti-terrorist squad and a deadly winter snowstorm. The runways are littered with death and destruction, and McClane is in a race against time. His wife (Bonnie Bedelia) is trapped on one of the planes circling overhead, which is desperately low on fuel. It's all-out war, a heart-stopping, jet-propelled journey filled with excitement and terror. Fasten your seat belts!Directed by Renny Harlin, the 1990 sequel, Die Hard 2 (uno! fficially referred to as Die Harder), doesn't match the level of the original, but it's still an exciting thrill ride with some terrific action sequences. One year after the Nakatomi incident, McClane (Bruce Willis) is awaiting his wife's (Bonnie Bedelia) plane to arrive at Dulles Airport when he stumbles onto a plot to paralyze the entire airport, including all the planes trying to land. It's up to McClane to take on the cadre of bad guys despite all the bureaucrats standing in his way, and before the planes run out of fuel and crash to the ground. The cast includes William Sadler as rogue military man Col. Stuart, Dennis Franz as the latest bureaucratic cop to get in McClane's way, Richard Thornburg as the annoying reporter from the original movie, John Amos as a special-forces commander, early-in-their-career John Leguizamo and Robert Patrick as terrorists, and future politician and Law and Order actor Fred Thompson as the head of air traffic control. --! David Horiuchi"The best of the best is back and better tha! n ever" (WNYW-TV) in the latest installment of the pulse-pounding, thrill-a-minute Die Hard action films. New York City detective John McClane (Bruce Willis) delivers old-school justice to a new breed of terrorists when a massive computer attack on the U.S. infrastructure threatens to shut down the entire country over Independence Day weekend.

Twelve years after Die Hard with a Vengeance, the third and previous film in the Die Hard franchise, Live Free or Die Hard finds John McClane (Bruce Willis) a few years older, not any happier, and just as kick-ass as ever. Right after he has a fight with his college-age daughter (Mary Elizabeth Winstead), a call comes in to pick up a hacker (Justin Long, a.k.a. the "Apple guy") who might help the FBI learn something about a brief security blip in their systems. Now any Die Hard fan knows that this is when the assassins with foreign accents and high-powered weaponry show up, telling McClane that once again he's stu! mbled into an assignment that's anything but routine. Once that wreckage has cleared, it is revealed that the hacker is only one of many hackers who are being targeted for extermination after they helped set up a "fire sale," a three-pronged cyberattack designed to bring down the entire country by crippling its transportation, finances, and utilities. That plan is now being put into action by a mysterious team (Timothy Olyphant, Deadwood, and Maggie Q, Mission: Impossible 3) that seems to be operating under the government's noses.

Live Free or Die Hard uses some of the cat-and-mouse elements of Die Hard with a Vengeance along with some of the pick-'em-off-one-by-one elements of the now-classic original movie. And it's the most consistently enjoyable installment of the franchise since the original, with eye-popping stunts (directed by Len Wiseman of the Underworld franchise), good humor, and Willis's ability to toss off a quip while ! barely alive. There was some controversy over the film's PG-13! rating- -there might be less blood than usual, and McClane's famous tag line is somewhat obscured--but there's still has plenty of action and a high body count. Yippee-ki-ay! --David Horiuchi

Stills from Live Free or Die Hard (click for larger image)

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