Exporting Raymond - Movie Poster - 11 x 17 Inch (28cm x 44cm)

• This poster may have a border as the image contained may not be 11 x 17 inches.
• This poster measures approx. 11 x 17 inches from corner to corner.
• Rolled and shipped in a sturdy tube.
• This poster is from Exporting Raymond (2010)

Phil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, ! Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond completed its run, and in the wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs i! nto humorless network executives, a glammed-up costume designe! r who be lieves the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert HortonPhil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-o! f-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond complete! d its run, and in the wake of a successful Russian version of ! The N anny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs into humorless network executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). ! Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert Horton

The Crude Truth: Do you want to know why you're paying so much at the pump these days? Raymond J. Learsy, a longtime commodities trader, explains the real facts behind today's outrageous gasoline prices by lifting the veil from the Mideast oil cartel. He shows how OPEC manipulates the oil markets with results that are destabilizing to the world's economy and threatening to America's national security. With refreshing candor and an insider's perspective, Learsy explains how OPEC: - promotes a bogus perception of oil scarcity in order to hike prices and gain political power. - is compromised by connections to Islamist terrorists, who fuel anti-American hatred with dollars from our own pockets. - keeps Third World populations in crushing poverty, despite rich oil deposits found in their countries. - be! came the de facto master of Iraq's newly liberated oil fields.! Along w ith a sweeping survey of OPEC's methods of economic domination, Over a Barrel offers a well-informed strategy for busting the Mideast oil cartel and charting our nation's course towards energy independence.

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